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PERFECT

Children will be amused by the relationship and intrigued with the technique, comprehending that one can draw with a pencil...

Amato’s debut features two writing tools with opposing dispositions: a yellow pencil and a pink, stand-alone eraser.

One likes to make marks; the other delights in eradication. Can this end well? Clean, white backgrounds set the stage for opening strokes and smudges easily removed. The eraser exhibits confidence, but the writing implement picks up speed, creating—in rapid succession—an impudent caricature of its nemesis, a cyclone, an army of menacing pencils, and a forest that becomes so thick it’s essentially solid black. Stumped, the eraser eventually swipes at the darkness. Although the attempts leave residual texture, the effect is pleasing. A sun created by erasing leads to a galaxy, and the neatnik eraser directs a newly hewn rocket onto a fresh page, exclaiming, “Eat my dust!” Soon, however, the devilish drawer is at it again. The eraser’s response—rubbed-away letters forming the book’s title—reveals that this strategy brings peace with the duo’s differences (and that their interactions are actually enjoyed). Employing a controlled palette for the digitally manipulated photographs and hand drawings, Amato maintains interest by animating a few deft lines into ever changing facial expressions and by varying the page designs from panels to full spreads. Surprisingly, the pencil doesn’t have any lines to speak; the eraser does all the talking, albeit in brief comments.

Children will be amused by the relationship and intrigued with the technique, comprehending that one can draw with a pencil and an eraser—and that opposites can co-exist. (Picture book. 3-9)

Pub Date: Jan. 29, 2019

ISBN: 978-0-545-82931-1

Page Count: 48

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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