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SHOOTING THE SUN

Terrific adventures. Splendid details.

Intrepid early Victorians trek the American desert to photograph a total eclipse.

Historical novelist Byrd sets the presidential series (Jackson, 1997; Grant, 2000) aside to apply his formidable research skills to an inventive tale, set in 1840, of scientists and capitalists in search of wealth and knowledge in the godforsaken outback of beyond. American-born, French-reared Selena Cott is the pure scientist in an odd party that includes a weasely Harvard mathematician, a greedy insurance magnate, a vegetarian frontiersman, and a charming artist, all of them assembled to cross the continent from Washington to New Mexico in search of, among other things, the eclipsed sun. Selena is a math whiz, a protégé of astronomer Mary Somerville, and a beauty whose sea captain father taught her to tackle anything and fear nothing. Skilled in the art of daguerrotypography, Selena plans to take the first pictures of the rare celestial event, best seen in unfriendly and unmapped territory on the far side of the Texas Republic. In her tool trunk ticks the very latest and best chronometer, absolutely necessary to hit the longitudinal mark in the featureless desert. She is also armed with the portable model of inventor Charles Babbage’s fabulous proto-computer. It is the computer rather than the celestial event that motivates financially strapped insurance man William Henshaw Pryce. Pryce’s grasp of the possibilities of the computer has sent him in search of capital for its development. Successful use of the machine to locate the solar event would attract millions. That is, at any rate, his public story. Frontier guide and early health-nut Webb Pattie joins the scientific expedition in Missouri and steers their train of spanking new Conestoga wagons west on the Santa Fe Trail. There are the expected adventures, deprivations, Indian encounters and conflicts, but there is also unexpected skullduggery having to do with Charles Babbage’s immensely wealthy and reclusive Uncle Richard, who’s in sequestered residence with the Kiowa tribe strangely near the astronometrical destination.

Terrific adventures. Splendid details.

Pub Date: Jan. 6, 2004

ISBN: 0-553-80208-9

Page Count: 256

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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