by Max Fisher ‧ RELEASE DATE: Sept. 6, 2022
An often riveting, disturbing examination of the social media labyrinth and the companies that created it.
A veteran journalist examines the rise of the social media giants and the dangers they have created for our society.
Fisher, a columnist and international reporter for the New York Times, dives into the chaotic social media landscape, synthesizing dozens of interviews from a wide range of sources. Focusing primarily on Facebook, the author walks through the key steps in the progress of the technology, seeing the advent of algorithms as a turning point. By tracking the sites that consumers visit, algorithms allowed for precise targeting for future contact. The best-performing sites gave users a sense of belonging, usually by denigrating “outsiders.” Over time, the result was increasing social and political polarization, with debate and discourse replaced by attacks that could easily spill into the offline world. Fisher is spot-on when he describes how the promotion and manufacture of moral outrage were not glitches in the system but inherent features. Senior leaders at Facebook received countless warnings about potential problem areas; claiming that they would address them, they never did. The company had rules to exclude certain posts, but they were inconsistent, vague, and overly complex (more than 1,400 pages). The author capably explains the many complex elements involved, but his liberal perspective is occasionally too evident. The mere mention of Donald Trump often makes him splutter with indignation. He has much to say about right-wing groups but little about those on the left. Nonetheless, Fisher is a diligent reporter, and when he maintains his focus on the mechanics of social media, he makes numerous important points. He even suggests that social media has become so counterproductive that we should consider shutting down the big firms—he aptly cites the murderous computer HAL in Stanley Kubrick’s 2001: A Space Odyssey—or at least forcing a thorough restructuring process. It’s a sensible idea worth discussing, but given the power of big tech, it’s unlikely to happen.
An often riveting, disturbing examination of the social media labyrinth and the companies that created it.Pub Date: Sept. 6, 2022
ISBN: 978-0-316-70332-1
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 11, 2022
Kirkus Reviews Issue: June 15, 2022
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New York Times Bestseller
by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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