by Max Greenfield ; illustrated by Mike Lowery ‧ RELEASE DATE: Nov. 9, 2021
A feisty manifesto and appealing visual experience for those who find books thrust upon them.
After declaring refusal to do so, an unseen narrator reads this book.
The book’s title appears as a Post-it note attached to the cover. With lighthearted, whimsical word-art drawings, hand-lettering, a clipped pace, and a palette dominated by a warm peach tone, the story features a wry and opinionated offstage narrator who provides metatextual commentary about the scorned book at hand. “Let me guess...Words,” says the snarky narrator about what to expect when opening the book. Some words, such as the word doubtwith its useless letter B, are “plain ridiculous.” And then there are unnecessarily large words, such as infinitesimal, which (confoundingly) means “small.” By now, the narrator has reached peak crankiness. The next objects of the narrator’s ire are sentences, described as “too many words all smushed together,” followed by paragraphs (“Just looking at a paragraph exhausts me”) and chapters. (Cue Chapter 2!) The hyperbolic vexation is genuinely funny as medium and message converge. Words, sentences, paragraphs, an entire chapter, and the ending are presented in this anti-reading diatribe, the enddepicted in triumphant, celebratory fireworks. Greenfield’s gentle satire and Lowery’s genuinely entertaining cartoon translation of prose to art might charm even avid readers (who may remember once agreeing with some of the narrator’s sentiments). (This book was reviewed digitally.)
A feisty manifesto and appealing visual experience for those who find books thrust upon them. (Picture book. 4-8)Pub Date: Nov. 9, 2021
ISBN: 978-0-593-32606-0
Page Count: 40
Publisher: Putnam
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Maribeth Boelts ; illustrated by Noah Z. Jones ‧ RELEASE DATE: Oct. 4, 2016
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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