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A LONG WAY FROM DOUALA

An entertaining, decidedly offbeat coming-of-age story.

Jean, an 18-year-old Cameroonian, confronts the threat of terrorism, police corruption, and his awakening sexuality as he searches for his older brother.

Twenty-year-old Roger has run away from home in the southern city of Douala, hoping to become a soccer star in Europe—and to escape the beatings of his fanatical Christian mother in the aftermath of his boozing father's death. Owing to his scholastic success and gentler disposition, Jean (who narrates) is Mama's boy. But torn between his raging mother and resentful brother, he's been living in a constant state of anxiety and doubt that only intensifies when he tries to catch up with Roger before he manages to leave Cameroon. In light of Boko Haram attacks, unsavory street characters, and the mostly Muslim northerners' deep-seated hostility toward Christian southerners, the road north is paved with danger. Equally scary for Jean is his attraction to Roger's friend Simon, who accompanies him and whose nakedness in one scene causes "this horrendous throbbing in my chest, and especially down there...I beg for God's forgiveness." There's a lot to unpack in this short novel, but Lobe leavens his dark political themes and cultural commentary with a breezy narrative style, entertaining pop-culture references, and off-color humor: A train traveler is subjected to a strip search by police, who discover the "big thing" he appears to be hiding in his pants is his amazing "plantain." Jean's fixation on and nasty comments about female body parts is less humorous, even if they are a manifestation of his feelings of weakness and self-doubt. This is the Geneva-based Lobe's first book to appear in English, and it should open the door to more translations of his work.

An entertaining, decidedly offbeat coming-of-age story.

Pub Date: Sept. 28, 2021

ISBN: 978-1-63542-174-3

Page Count: 208

Publisher: Other Press

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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