A lively and learned time-travel tale.
In this middle-grade debut novel, a young boy and several ghosts hope to clear the name of a disgraced ancestor.
Ten-year-old Jeremiah Morris lives in Manhattan with his parents; 13-year-old sister, Susanne; and their nanny, Phoebe. When summer vacation from school begins, the family flies to England to visit Papa and Nana, also known as the Earl and Countess Poppycock. While exploring the attic of the grand Poppycock estate, Jeremiah finds a trunk with a key in its lock. As he turns the key, a voice calls out, “Don’t be intrusive!” Soon, a vapor rises from the trunk, and he’s greeted by the ghost of his “nine-greats-grandmother—great said nine times,” Leila Wadsworth, who died in 1752. She relates the story of her son, Edgar, who was wrongfully hanged for a murder that someone else committed in 1744. St. Peter himself has ordered that Leila; her husband, Mortimer; and numerous other spectral members of the Wadsworth clan work to clear Edgar’s name. Leila recruits Jeremiah and Susanne and even invites the boy to travel back in time with her and Mortimer to 1744, the year the victim, Walter Johnson, lost his life. But the killer is also capable of using the Wadsworths’ ghostly status to the utmost advantage. For his tale, Foxton chases a historical mystery with the clear, logical thinking of a child. The first five chapters actually happen in New York, when Jeremiah is 7 and Papa visits. The earl spoils his grandchildren, and the author teaches his audience lots of facts, including a detailed origin story for the Statue of Liberty. The narrative’s tone captures the unintentionally wry ways children speak, as when Jeremiah says of his airplane ride: “Cabin staff serve a meal. It tastes good mostly because I am hungry.” When Foxton’s characters reach the past, he highlights the 18th century’s most noticeable traits: Nobody bathes, and servants are nonentities. And yet Clive, Leila’s servant, says of his love of learning: “I try to better myself even though I am dead.” The author delights in spinning a yarn but enjoys just as much rendering a transporting period piece.
A lively and learned time-travel tale.Pub Date: Dec. 15, 2017
ISBN: 978-1-5320-2649-2
Page Count: 238
Publisher: iUniverse
Review Posted Online: April 10, 2018
Review Program: Kirkus Indie
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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