The mundane and the extraordinary converge in this novel of one Montana woman’s life.
Neither Loskutoff’s novel nor the character who inspires its title is easy to summarize. To say that this book covers several decades in the life of its protagonist and tracks her shifting bonds with her father and some of the other residents of a rural Montana town would be accurate. That description wouldn’t get at the mysteries that this book contains, nor would it properly encapsulate the memorable contradictions held by Ruthie herself. The early pages introduce Ruthie as a child, raised by her father. At the age of 5, she sees a bizarre creature in a nearby canyon. “A tall feathered thing, it lurched toward the creek on two long, spindly, double-jointed legs.” Even more alarming is the fact that it lacks a head. This intrusion of the uncanny into an otherwise realistic novel is the first indication that Loskutoff is willing to take this narrative into unexpected places. A number of other scenes, though more overtly realistic, offer a similarly dizzying experience. One, in which a high school–aged Ruthie is caught in a violent incident, is harrowing for its suddenness. Omens and dreams punctuate the novel, including a particularly vivid dream involving moss and dead skin. An early reference to “her short life” hints at something terrible to come for Ruthie—but the arc of this novel is anything but predictable. Its conclusion represents a bold and potentially divisive decision on Loskutoff’s part—but ultimately a powerful and evocative one that casts a number of earlier scenes in sharp relief.
With resonant characters and a great sense of place, this novel rarely goes where you’d expect, and is stronger for it.