The well-worn trope of the unreliable narrator soars to new heights in this flawed but often fascinating debut.
A young woman with dissociative identity disorder is drawn into a criminal enterprise when her best friend starts working at a London gentlemen’s club.
Each day is a potential struggle for budding photojournalist Alexa Wú, who, as the Host, must juggle the alternate personalities inside her head. She collectively calls them the Flock, which includes 9-year-old Dolly; belligerent and protective Runner; elegant and calm Oneiroi; and the Fouls, who are unpredictable and conniving. Alexa also has dissociative amnesia: She loses time, often awakening to realize she can’t remember recent events. Her new psychiatrist, Daniel Rosenstein, gives Alexa tentative hope for the future, and she has the support of her beloved best friend, Ella, who is one of only a few people, including Alexa’s stepmother, Anna, who know about Alexa’s disorder. When Ella gets a job at a strip club called Electra, Alexa is horrified, but it doesn’t keep her from dating Electra’s sexy bartender, Shaun, and hanging out at the club with Ella. It’s soon clear the sleazy Navid, who runs the Electra, has a hand in some decidedly shady activities, and Alexa reluctantly agrees to help Ella bring him down, leading her into a hellish rabbit hole of depravity. Alexa is an overwhelmingly sympathetic protagonist. The motivations of men understandably consume her—she was sexually abused by her father, and her mother killed herself—and she assumes that most are out to use and control her. Alexa and Ella repeatedly take outrageous risks, leaving readers to wonder why Alexa doesn’t just call the police already, and following Alexa’s movements within the narrative is often confusing. Alexa and Daniel both narrate, and while Daniel’s sessions with Alexa are intriguing (if readers can stomach his growing lust for her), the space devoted to his nonprofessional life feels like filler. Where Chung, who is a practicing psychoanalytic psychotherapist, really shines is in the frenetic juggling of Alexa and her Flock, and some significant narrative gaps do come (mostly) into focus after the big twist is revealed.
The well-worn trope of the unreliable narrator soars to new heights in this flawed but often fascinating debut.Pub Date: March 17, 2020
ISBN: 978-0-06-293112-2
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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