An unsuccessful foray into Persian history and legend.
An illustrated profile of an ancient queen.
Seven hundred years ago, a 14-year-old girl named Goharshad married the powerful ruler Shah Rukh and became a queen. After moving to Herat, the stunning seat of her new husband’s empire, Goharshad dreamed of transforming her kingdom into something even more beautiful than it already was. For the rest of her reign, Goharshad funded and oversaw artistic projects ranging from the creation of a mosque to the construction of a library and a college intended to include women and girls. Goharshad persisted despite doubts about her decisions, creating a legacy that lasted until war and time destroyed her most impressive creations. This text-heavy book walks an uncertain line between fiction and nonfiction: Many passages that are presented as facts feel rooted in speculation, such as the musings of an “old man” who gathers the jeweled tiles that are all that remains of a building the queen constructed in Herat. Since the author provides no historical sources, it is hard to say what genre this is meant to be. The unnecessarily flowery language—which is, equally unnecessarily, printed in a stylized typeface—and the highly embellished illustrations are troubling and exoticizing. Furthermore, the tragic tone of the final pages renders this story one of loss, leaving readers with a deficit perspective of a troubled region with a rich and vibrant past. A classroom guide on the publisher's website provides extension activities but no further documentation for the story itself.
Pub Date: Oct. 1, 2019
ISBN: 978-1-949528-97-8
Page Count: 44
Publisher: Yali Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...
“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”
To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth. (glossary, thumbnail bios) (Memoir. 8-10)Pub Date: May 1, 2011
ISBN: 978-0-8109-9728-8
Page Count: 48
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK TO SCREEN
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off.
A wooden retelling of Perrault’s classic tale, with underwhelming movable parts.
Gurney embellishes the original plotline only by furnishing the Ogre with a back story (provided in a very small pasted-in booklet) and bestowing names on the kingdom and most of the characters. Her prose stumbles (“Puss pondered over [sic] the problem of Peter’s livelihood”), and her dialogue runs to stilted lines like, “We have seen your idea of work, Peter—it is to sit around all day playing your harmonica and idling.” Illustrator Kelley does his best to add plenty of visual panache, crafting painted scenes featuring a swashbuckling ginger puss plainly akin to the scene stealer from Shrek and cleverly manipulating a Disney-esque human cast. Such movable additions as a turn-able water wheel, a pull tab that makes Puss lick his chops after devouring the ogre and even a culminating pop-up wedding tableau are, at best, routine, and they often feel like afterthoughts, enhancing neither the art nor the story.
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off. (Pop-up fairy tale. 8-10)Pub Date: Oct. 1, 2011
ISBN: 978-0-7641-6485-9
Page Count: 24
Publisher: Barron's
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
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