by Maxwell Bloomfield ‧ RELEASE DATE: Sept. 1, 2000
A significant contribution to the history of 20th-century popular and political culture.
An insightful scholarly study of how ideas and images of constitutional government permeate popular culture.
When before have Ida Tarbell, Booth Tarkington, King Vidor, Maxwell Anderson, George S. Kaufman, and George Gershwin appeared in a book of constitutional history? Probably never. But Bloomfield (American Lawyers in a Changing Society, not reviewed) makes a compelling case that they have a place there, at least if one seeks to understand the role of the Constitution in the American imagination. A constitutional democracy, Bloomfield assumes, depends for its stability not only on constitutional rules but also on the stories that are told about constitutional values. What’s striking, over a span of a mere 30 years or so, is how what Bloomfield terms “constitutional idealism” suffused and transformed itself in all versions of American popular culture—magazines of opinion, to be sure, but also novels (many now forgotten), films, dramas, and musicals. Even modern vernacular classics like Upton Sinclair’s The Jungle and Edward Bellamy’s Looking Backwards (usually taken to be nothing but a utopian romance) gain fresh readings under Bloomfield’s focused lens for what they betray of constitutional thought. One comes away with a new understanding of the varying “constitutional faiths” of many Americans. But how representative these faiths were and how specifically they might have affected the distribution of political power is not clear. Nor, by looking only at a segment of the 20th century, does Bloomfield help us understand how the popular culture of 20th-century constitutionalism took form before 1900. Nevertheless, he convincingly shows how the acceptance of FDR’s New Deal depended upon greatly broadened and altered ideas about the nation’s fundamental governing principles.
A significant contribution to the history of 20th-century popular and political culture.Pub Date: Sept. 1, 2000
ISBN: 0-674-00304-7
Page Count: 224
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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