A medley perfectly tuned.
“We love music!”
In the tradition of previous photo essays such as Faith (2009), Our Grandparents (2010) and What We Wear (2012), Ajmera and her co-authors have here assembled a collection of charming photographs showing children enjoying music in 35 countries around the world. Some play instruments, like the Venezuelan girl practicing her violin on the title page. Others clap, dance, sing along and listen. On the Cook Islands, a girl with a flower crown blows a conch shell for a festival. In Scotland, a very young bagpiper marches at the Highland Games. Novice Buddhists blow long horns in a temple in Bhutan, and young Indonesians play together in a gamelan orchestra. Some are proud performers, others rapt in concentration; their enjoyment is evident. The selection of images is wide-ranging, and the underlying message, inclusive. On each spread, well-chosen and crisply reproduced photographs that vary in size are set against solid, colored backgrounds with a single sentence of text and identifying captions. The variety of musical instruments, traditional and improvised, will gladden the hearts of teachers and those who want to encourage their children’s appreciation for music. The backmatter includes a map, glossary and suggestions for readers’ own music-making.
A medley perfectly tuned. (Informational picture book. 4-8)Pub Date: Feb. 25, 2014
ISBN: 978-1-57091-936-7
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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