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AND STILL I RISE

In her third volume of poems, Maya Angelou proves once again that audacity can pay off. Seemingly unafraid to approach anything, she includes comments on aging, the disappointments of love, anger at the abuse of black people, and the everyday aspects of womanhood. The moving spirit is summed up in the poem "Still I Rise" when she says "Does my sassiness upset you?/ Why are you beset with gloom?/ 'Cause I walk like I've got oil wells/ Pumping in my living room. . . ." The music of these lines is continued throughout the book: indeed Angelou's use of the refrain often serves to break up a poem when the tension grows overwhelming, as in "One More Round," an anti-slavery piece, where she punctuates illustrations of abuse with a chorus reminiscent of a work song: "One more round/ And let's heave it down. . . ." Angelou's most glaring weakness is a tendency towards obvious and rhetorical statement, as in "Ain't that Bad," which lists items commonly associated with blacks (Stevie Wonder, rice and beans, etc.) in a way that fails to dramatize any point. However, through her use of music and direct, uninhibited statement, she has written a distinctive and energetic volume.

Pub Date: Oct. 2, 1978

ISBN: 0394502523

Page Count: 72

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Oct. 1, 1978

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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