This is Maya Angelou's second volume of poems and her poetry is just as much a part of her autobiography as I Know Why the Caged Bird Sings and Gather Together in My Name. She writes deceptively simple songs of experience that are disarming because there isn't any conventional persona between her and you when she says "Come. And Be My Baby." She's a funky kind of mother with a lowdown wisdom of the heart, which may be why you open to her sentiment. Mostly these are poems about and for people, especially children. Like "John J.," whose momma didn't want him or "Little Girl Speakings" which makes something special of the contention that "Ain't nobody better's my Daddy." There's one about "The Telephone" that never rings when you need it; and a number of rhymed and repetitive lyrics that might almost be incantations to comfort the lonely. It's all so damned artless, there's just no accounting for how strong she is, except to say Maya's got the gift.
Pub Date: Oct. 10, 1975
ISBN: 0679457070
Page Count: 66
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Oct. 1, 1975
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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