A savvy, wildly imaginative narrative.
A fantastical journey reveals a wounded heart.
Making an assured debut, Binyam spins a haunting, often surreal tale that begins one morning when the narrator, a 55-year-old Black man, receives a telephone call telling him to board a flight. His suitcase has been packed; his jacket pocket holds a ticket to the African country from which he fled to the U.S. 26 years before and where he had been a political prisoner. Even before he lands, the trip seems ominous: His seatmate suddenly dies, and he winds up sitting beside a corpse for the entire flight. Not knowing why he is returning to his homeland, he surmises it is to see his brother, who has claimed to be ill for years and who may, or may not, be dying. Manipulative, selfish, and needy, the brother has repeatedly begged for money, property, or a visa. Nevertheless, with the goal of finding him, the narrator embarks on a convoluted, disorienting trek, encountering bizarre characters and assorted long-lost relatives. He witnesses the effects of poverty and greed, exploitation and insidious corruption: A railroad project abandoned by investors, for example, left viaducts that “cast the city in shadow, enticing its inhabitants to ascend staircases that led to nowhere.” He notes that traditional cultural practices have been abandoned, undermined by consumerism, TV, and the internet, “which forced people to forget their interests, habits, and historical way of life.” Hypocrisy is rampant: A man distributes mounds of dirty clothing donated by people in rich countries to assuage their consciences. A foreign aid worker, with no expertise to improve the plight of farmers, professes that her aim is “to promote mutual understanding,” a phrase that the narrator finds incomprehensible. Reluctantly listening to uninvited confessions by random strangers, he finds himself reflecting on politics, loss, exile, the vicissitudes of human nature, and, ultimately, the meaning, or meaninglessness, of his own life.
A savvy, wildly imaginative narrative.Pub Date: Aug. 8, 2023
ISBN: 9780374610074
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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