WRATH GODDESS SING

A retelling of the Iliad featuring an Achilles who's a trans woman.

Finding an elasticity in the story of the Iliad, Deane pits Achilles against Helen of Troy in the Trojan War. The book begins with Achilles hiding in Skyros with the princess Deidamia. Under Deidamia’s tutelage, and using special herbs, Achilles is transitioning from a male body to her true female self. Athena intervenes and transforms Achilles completely into her ideal female body so she can feel fulfilled in her real identity. Athena also grants Achilles' greatest desire—to have a child—by forging a womb in her center. The book holds close to the story of the Iliad in broad strokes but attempts to deliver a parallel journey for Achilles as she transitions and then explores the world of war while questioning what it means to be a woman and a man. Achilles thinks, “Once, her violent impulses had horrified her, evidence of a manhood that would inevitably consume everything she loved about herself. But on her journey to Skyros and here on the island, she had met her share of violent women and knew better.” Despite knowing better, when Achilles arrives at the battlefield and attempts to rescue Helen, she's caught off guard by the realization that Helen is not a damsel in distress but a megalomaniac, thrilled by her effect on the armies who fight one another with her name on their lips. Helen does not desire a quick end to war. She is also vicious about Achilles’ identity, saying, “Here’s an idea: when you die, I will erase you from history. I will make it so you were never a woman. Everyone will remember you as a man.” This book is Achilles’ fevered journey from womanhood to childbirth to death. The premise of the parallel journeys is effectively handled and integrated into the Homeric epic.

This fresh perspective is valuable even if the swashbuckling style of the prose lands a little heavily on the page.