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MAYA MAKES WAVES

A strong addition to the chorus of voices demanding action.

A Brazilian professional surfer recalls challenges overcome in her youth and expresses strong environmental concerns.

Depicted in Kaulitzki’s nautical-themed illustrations as a figure of ambiguous age with light brown skin and evocatively flowing hair, Gabeira dives into her story as she dives visually over and under the waves—writing rapturously in third person about how neither asthma nor bullies kept her from catching waves or exploring and delighting in the wonders of the bright “rainforest of the sea.” After swimming with whales and sea turtles, she encounters a great white shark trailing fragments of fishing net who warns her of the dangers of overfishing and plastic pollution. “Life here is disappearing fast,” he tells her. “Please be our voice.” And so in response she returns to the shore to speak to small groups, to join sign-wielding marchers, and overall to deliver a message: “The ocean is in danger, and we must protect it. The time to act is now!” In more personal language, she closes with a restatement of that message, with leads to ocean conservation organizations with which she works. Figures in her audiences are racially diverse but uniformly serious in their cause.

A strong addition to the chorus of voices demanding action. (Informational picture book. 5-7)

Pub Date: Aug. 6, 2024

ISBN: 9781419760013

Page Count: 40

Publisher: Abrams

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ROSIE REVERE, ENGINEER

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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