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THE DAWN WATCH

JOSEPH CONRAD IN A GLOBAL WORLD

An insightful perspective on Conrad’s life and turbulent times.

An absorbing biography melds history and literary analysis.

Jasanoff (History/Harvard Univ.; Liberty’s Exiles: American Loyalists in the Revolutionary World, 2011, etc.), who has won the National Book Critics Circle Award for Nonfiction and the George Washington Book Prize, asserts that the novels of Joseph Conrad (1857-1924) “meditate on how to behave in a globalizing world,” where characters “confront some critical choice, only to face consequences more far-ranging than they ever imagined.” Drawing on Conrad’s many works of fiction, memoir, letters, and essays, Jasanoff focuses especially on his most famous novels—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo—to reveal how he responded to a roiling age plagued by anarchy, revolution, and oppression. His characters “struggle with displacement, alienation, and despair,” caused by both external and internal forces. Conrad, Jasanoff reveals, was “perpetually depressed, incorrigibly cynical, alarmingly prejudiced” against Asians and Jews, and beset by childhood experiences that inspired his “fatalistic sense of the world as a realm where, no matter how hard you tried to make your own way, you might never slip the tracks of destiny.” As a teenager, he set out alone from his native Poland, then under Russian domination, determined to become a seaman; in 1878, he arrived in cosmopolitan London and began a career in the merchant marine, rising to the rank of captain over the next 20 years. Travels throughout the world fueled his imagination. During voyages to Asia, he “stowed away landscapes, characters, and plots” that inspired “half of everything Conrad ever published.” In rich detail, Jasanoff skillfully contextualizes his work within “a chain of historical events” that led to profound social and political change. Heart of Darkness, for example, was “closely pegged” to King Leopold II’s ruthless exploitation of the Congo. Jasanoff focuses less on Conrad’s family life (his wife and sons are lightly sketched) than on the prescient “global compass” of his literary works.

An insightful perspective on Conrad’s life and turbulent times.

Pub Date: Nov. 7, 2017

ISBN: 978-1-59420-581-1

Page Count: 400

Publisher: Penguin Press

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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