It’s hard to imagine the child for whom this intentionally inspiring mystical fable will strike a chord. Idealistic adults, on the other hand, will love it. They’ll see it as an opportunity to foster compassion and tolerance, to introduce the idea of feeling connected to family members who’ve passed away and to share Morales’ lovely, folk-art–style illustrations. All of which are worthy goals. Unfortunately, debut author Soetoro-Ng’s lengthy, abstract text seems destined to lose the interest of young listeners, preventing any of these aims from being achieved. Occasionally awkward phrasing (“her silver-bangled arms outstretched and tinkling”) is distracting, though there are also some appealing images (“she tossed herself out of bed like a tumbleweed”). Still, children are more likely to spend their time wondering why (and how) the moon sings than following the meandering plot as Suhaila and her grandmother Annie magically travel to the moon and then share their sanctuary with those in need. Morales’ beautiful, luminous paintings, with soft edges and gently rounded figures, go a long way toward making the sentimental story almost work as an imaginative adventure. Double-page spreads with lots of celestial blue provide plenty to pore over, while the textures visible in her paintings are likewise pleasing. Ultimately, though, the artwork isn’t enough o prevent this achingly earnest and heartfelt effort from sinking under its own weight. Disappointing. (author’s, illustrator’s notes) (Picture book. 4-7)
Pub Date: April 12, 2011
ISBN: 978-0-7636-4570-0
Page Count: 48
Publisher: Candlewick
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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