A haunting, powerful, and crucial tale of culture and identity.
A young girl turns to her family members to help her answer the question, “Why isn’t Palestine on the map?”
Falasteen and her schoolmates sit around a world map searching for their countries of origin. When Falasteen asks why she can’t find Palestine, her teacher responds, “I think there’s no such place.” A concerned Falasteen goes home after school, eager for answers. Her grandfather, grandmother, and mother each provide a response that tells her family’s story and strengthens her sense of identity. Drawing inspiration from her own grandmother’s experience of displacement in 1967, the author tells a poignant story of longing and sadness mixed with a persistent hope for a return to a historic homeland and reunification with family. The book is notable for both its honesty and its sensitivity on the topics of “settler colonialism” (a term defined in the backmatter) and expulsion. Incorporating cultural touchstones such as spinach pies and the winding branches of olive trees, Betawi’s delicately beautiful illustrations evoke nostalgia for a place dear to Falasteen and her family’s hearts. Odeh walks a fine line, framing her story in a way that young readers will readily understand while never sugarcoating difficult realities. Her book fills a gap in representations of the Palestinian diaspora, offering a much-needed insider’s perspective. The author’s note provides vital personal and historical context, making this an invaluable teaching tool.
A haunting, powerful, and crucial tale of culture and identity. (resources for adults) (Picture book. 5-10)Pub Date: Oct. 22, 2024
ISBN: 9781250896704
Page Count: 40
Publisher: Henry Holt
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
PERSPECTIVES
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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