A solid post-apocalypse/space-war action tale for sci-fi fans—who will likely imbibe the lean storytelling in big gulps.
A generation after a global nuclear war, surviving fragments of society in Ohio try to resurrect technology and defenses when Earth faces a looming menace from alien interlopers.
This fourth installment of a sci-fi series continues a saga in which three divergent, interstellar races collide in a cross-cultural mess of first contact catastrophic misunderstandings. This happens right after humanity backslides into the Dark Ages via a self-inflicted nuclear holocaust. When the lively narrative isn’t centered on exotic ETs—the salamanderlike Qu’uda or the insectoid Hoo-Lii—this volume offers a get-the-job-done yarn of dogged folks rebuilding remnants of North America in the decades following an atomic strike. With the unlikely new capital in Ohio (Buckeye State geography shoutouts abound), aging visionary leader Taylor MacPherson unites squabbling fiefdoms through the restoration of long-dormant electricity, industry, and transportation services—and, when necessary, diplomacy-cum–military conquest on horseback against unneighborly, bullying warlords. MacPherson’s indispensable ally is the alien Bilik “Billy Potato” Pudjata, a brilliant Qu’uda surgically altered by his exploratory spaceship crew to blend in with earthlings. (He is ultimately abandoned, along with four crew members, by the xenophobic Qu’uda in mothership orbit.) Bilik’s advanced science and clean-energy secrets permit humanity’s restoration of air travel and even a nascent space force—vital because the other Qu’uda, although war-wounded and in disarray deep in the solar system, aim to return and exterminate the human “savages.” How this resolves is effectively related by Wood (The Hoo-Lii Chronicles, 2019, etc.) exclusively through the barely comprehending (compound?) eyes of a Hoo-Lii expedition in Book 3. Replaying the events now is no less suspenseful, though the author has to span years of developments, battles, political intrigue, and Taylor’s melodramatic, tumultuous romantic life, giving the already hefty installment enough incidents for multiple volumes of its own. Going even wordier might have helped flesh out the characters and motivations, but this book still delivers breathless, addictive stuff. When one military guy looks forward to “making America great again,” the sentiment is sincere, not chuckleworthy.
A solid post-apocalypse/space-war action tale for sci-fi fans—who will likely imbibe the lean storytelling in big gulps.Pub Date: March 1, 2019
ISBN: 978-1-387-60261-2
Page Count: 535
Publisher: Faucett Publishing
Review Posted Online: March 29, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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