A superior second installment of an intriguing dystopian saga.
Stranded in Ohio after a nuclear war, an alien from an extraterrestrial expedition strives to revive human technology to repair his damaged spaceship in this sci-fi sequel.
Wood’s (Collapse, 2018, etc.) series curtain raiser featured Cleveland area engineer Taylor McPherson assuming leadership after a global nuclear strike by Islamic terrorists. That attack caused the “Collapse,” a decline of worldwide civilization into pre-industrial savagery. McPherson and some Ohio neighbors formed “the Clan,” a community to defend against raiders and looters. Now, 20 years later, the Clan is a self-sustaining, agricultural nation-state. But—led by status-hungry “Elders,” who barely remember old times—the group is also insular and tribal, little better than its backward rivals like the “Midwest Federation” downstate. Into the Federation, however, arrives an extraordinary visitor who was a subplot in the first book. Bilik Pudjata belongs to a deep-space mission by the reptilian Qu’uda, who detected life on Earth—ironically just before the nuclear holocaust. With their starship crippled by shots from an automated defense satellite, the aliens’ one hope is Bilik, clumsily re-engineered as humanlike to infiltrate the “dry land egg-sucking mammalian vermin” and restart metal-forging technology to build crucial replacement parts. Readers with memories of the later, darker chapters of Twain’s A Connecticut Yankee in King Arthur’s Court may note the captivating parallels. Bilik—his name phonetically misinterpreted as “Billy Potato”—becomes the technocratic boss of the Federation and reintroduces electricity, mass-produced guns, and regimented discipline to barely comprehending feudal barbarians. Meanwhile, a suspicious and bellicose Clan needs the advice of the aged, deposed McPherson on what to do about unfamiliar weapons, trained soldiers, and flying machines. Wood’s first installment of his Clash of the Aliens five-part series was a well-told but standard post-apocalyptic survivalist tale. Here he contributes a limber and suspenseful second volume. McPherson and especially Bilik are among the few sympathetic characters in this coarse world, with each one heroic and tirelessly resourceful yet ultimately cast aside by their selfish brethren. Wood offers considerable battle scenes (“That’s a lot of gunfire....It was Shig’s last thought as a large caliber lead ball smashed through his chest, lifting him out of his saddle”). Amid the vivid clashes is the tantalizing question of whether the two remarkable protagonists will ever actually meet and what might ensue. The prospect of future books is indeed promising.
A superior second installment of an intriguing dystopian saga.Pub Date: Dec. 27, 2018
ISBN: 978-1-387-52302-3
Page Count: 333
Publisher: Faucett Publishing
Review Posted Online: Oct. 23, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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