Ambitious but a miss.
In this 1920s-era retelling of Much Ado About Nothing, young Benedick Scott has decided once and for all to leave Stony Creek Academy, defying his father, to pursue his dream to be a writer.
While making one last climb out of his dorm room window, he is discovered and then joined by his aristocratic, British classmate, Claude, who decides to latch on to Benedick’s adventure. Then there’s Beatrice, who’s kicked out of a home for wayward girls and picked up by her cousin, Hero, who drives her to her uncle Leo’s estate on Long Island. Beatrice quickly learns that Uncle Leo’s mansion doubles as the Hey Nonny Nonny speak-easy by night, run by Hero and her merry band of teens. Also living at Hey Nonny Nonny is Maggie, the black singer whose voice draws the upper-crust crowd the speak-easy needs to stay in business. (The other principals are white.) Naturally, romance blossoms between Beatrice and Benedick, with the help of a few friends. This 400-plus–page retelling will likely disappoint readers who haven’t encountered the original. As a stand-alone plot, it loses steam over its length, and placing teenage characters in the very adult positions of running a speak-easy and acquiring illegal booze stretches credulity. The characters feel out of place and never fully come to life in this 1920s time period.
Ambitious but a miss. (Historical fiction. 14-18)Pub Date: Sept. 19, 2017
ISBN: 978-0-06-256092-6
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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