A fun, fleshed-out fantasy with sympathetic main characters.
A detective agency helps mutants created by radiation in this romantic fantasy thriller, the first in the Redclaw Origins series by Dean (Ghost of a Chance, 2018, etc.).
New York, 1955. Henrietta “Rhett” Bishop, a daughter of privilege whose father has gambled away the family fortune before taking his own life, must find a way to provide for herself. She takes a job at Redclaw Security, an unusual detective agency tasked with aiding the growing population of “shifters”—mutants created by radiation unleashed in the nuclear age. After Rhett proves her value to the firm during what she thought was an attempted robbery, her shifter boss sends her on a mission. Her target is Peter Knight, a nuclear scientist and widower whose wife died in a hit-and-run that looks like murder. He’s been blacklisted by the government for suspected Communist sympathies and has since dropped out of sight. Peter’s skills are highly desirable, however, and Rhett is sent to recruit him for Redclaw, though that’s not the only organization interested in him. She manages to locate Peter, and, with the promise that Redclaw will help him learn more about his wife’s death, she convinces him to join. Together they are sent after a stolen cache of artifacts hijacked en route to the Redclaw headquarters, artifacts that seem to have resurfaced in the Hamptons amid Rhett’s moneyed former crowd. Dean’s prose balances the urgency of romantic fantasy with the muscular rhythms of detective noir: “A quick glance at Knight showed he was losing his ability to maintain any part of his disguise. Even as I blanked on what to say to him, his face slowly morphed back into his own. I had no time to think it through. I just acted, grabbing Knight by the back of his neck and pulling him into a kiss, all the while fumbling behind me, clutch in hand, for the handle to the room beside us.” While the book relies heavily on archetypes, Dean does so with a winking self-awareness. Rhett and Peter are both well drawn and likable characters, and the blend of alien technology, shadowy organizations, hard-boiled sleuthing, and budding romance makes for a surprisingly compelling read.
A fun, fleshed-out fantasy with sympathetic main characters.Pub Date: Sept. 8, 2019
ISBN: 978-1-69172-796-4
Page Count: 353
Publisher: Self
Review Posted Online: Jan. 24, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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