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THE BOOK OF ETTA

From the The Road to Nowhere series , Vol. 2

Pulls no punches.

The follow-up to The Book of the Unnamed Midwife (2014), set in a broken U.S. decades after a pandemic has killed most of the population.

In the town of Nowhere, women essentially have two life paths: They can try to bear a child (an enterprise which frequently kills both mother and baby) or train as Midwives and help other women. But Etta has rejected both possibilities: Instead, she is a raider, traveling outside the town to battle slavers and rescue girls and young women from their clutches. But what no one in Nowhere knows is that Etta does more than simply dress as a man when she leaves town: She actually takes on a male persona, calling himself Eddy. Unable to face the restrictions of being Etta, desperate to realize himself more fully as Eddy and find someone who will love his true self, Eddy makes various journeys away from home on his self-imposed rescue missions, interacting with several societies that each has a different way of dealing with the realities that biological men significantly outnumber biological women and children are a rarity. Eventually, although he tries desperately to avoid it, Eddy will be forced to revisit the one place he really doesn’t want to go: Estiel (the former St. Louis), the city controlled by the vicious warlord known as the Lion and the place of a devastating past trauma. Eddy is a fascinatingly complex character, shifting back and forth between female and male identities. His personal journey toward self-realization is made more difficult by the rigidity of his viewpoints about gender, love, and what values cannot be compromised, even for survival in a fairly brutal landscape. That inflexibility, plus his rape as a teenager and his strong preference for biological women, makes it impossible for him to accept the love of Flora, a transwoman and former sex slave, even though she accepts and understands him more than anyone else. Sadly, that rejection helps to hasten the plot’s devastating climax and is a realistic portrayal of how one’s own struggles don’t necessarily instill an immediate empathy for others’ situations.

Pulls no punches.

Pub Date: Feb. 21, 2017

ISBN: 978-1-5039-4182-3

Page Count: 314

Publisher: 47North

Review Posted Online: April 16, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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