Enough murders, past and present, to sate all but the most voracious serial-killer buffs.
The fourth of Gardiner’s UNSUB series opens a door into what seems like an endless series of homicides.
Arrested by Jessup County Deputy Marius Hayes in a Tennessee motel parking lot, drifter Efrem Judah Goode insists he had nothing to do with the deaths of the three women inside the motel or the fourth, also mummy-wrapped with duct tape, in the back seat of the car he’d been driving. But he’s perfectly willing to cop to 13 other homicides stretching back to 2003. He’s unsurprisingly convicted of the four brand-new murders as well, but Special Agent Caitlin Hendrix of the FBI’s Behavioral Analysis Unit, isn’t satisfied. Working with other members of the unit willing to put in endless hours in pursuit of scant evidence, she realizes that this new streak of murders, which continues apace while Goode is safely imprisoned, is the work of a copycat. Acting on further information from Finch Winter, an adopted teen who’s convinced that her birth mother was one of Goode’s victims, she uncovers enough links between Goode and the copycat to reach a truly alarming conclusion: Yesteryear’s killer knows perfectly well about his latter-day imitator and is doing his best to provide information and directives about potential victims from his prison cell. As the bodies dot roadsides from the Southeast to New York, Caitlin, who also gets potentially distracting hints that the elusive killer she’s called the Ghost is still active, struggles to come up with a reason why at least two different killers would target so many victims from so many places for such a long time. Readers will likely be divided on whether the final surprises are worth the slog.
Enough murders, past and present, to sate all but the most voracious serial-killer buffs.Pub Date: Oct. 3, 2023
ISBN: 9781982627522
Page Count: 330
Publisher: Blackstone
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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