An astute depiction of life on the psychic edge.
Mason's bleakly comic debut examines with pitiless clarity the impact of the narrator's mental illness on her closest relationships.
British magazine columnist Martha Friel has just turned 40, and Patrick, her long-suffering husband of seven years, has left her. She moves from Oxford back to the London home of her parents: famous alcoholic sculptor Celia and kindly Fergus, whose signal achievement has been the publication of a single poem. Here she reflects on a life that began with a relatively normal, if unhappy, childhood and then took a sharp turn when she was 17 and “a little bomb went off in my brain,” leaving her subject to rage, depression, suicidal impulses, and decades of what she sees as one useless medication after another. Martha's world is almost entirely confined to Patrick, her parents, and her beloved sister, Ingrid, who is pregnant with her fourth child when the novel opens. What plot there is hinges on Martha's fraught relationship with Patrick as they both question the basis of their marriage and on her even more fraught relationship with herself as a new diagnosis leaves her bottoming out and more angry than ever. (Mason is careful not to specify what this new diagnosis is and, in an afterword, notes that Martha's mental illness doesn't correspond with any defined one.) While some readers may lose patience with Martha and her narrow world and will wonder why the author has chosen the structure of a romance to deal with Martha's difficulties, Mason brings the reader into a deep understanding of Martha's experience without either condescending to her or letting her off too easily. While we as readers have the luxury of finding her observations funnier than she does, we're not so far distanced from her that we can't appreciate both her strengths and her weaknesses.
An astute depiction of life on the psychic edge.Pub Date: Feb. 9, 2021
ISBN: 978-0-06-304958-1
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2021
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
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