A truly lovely tale of families, love, mistakes, forgiveness, and, yes, happiness.
Two half sisters who have never met—a New York University professor and a waitress—spend the summer in the small town of Rockland, Maine.
Louisa Fitzgerald McLean, a tenured NYU history professor, is almost done with her sabbatical and feels like a complete mess. She hasn't been working on her planned book, her three children are taking up all her energy, and her husband, Steven, is so consumed with getting his new podcast company up and running that he has no time for her or the family. A decision is made: She and the children will spend the summer in Maine with her mother, Annie, and father, Martin—retired chief justice of the Supreme Judicial Court of Maine—at her family’s vacation house while Steven stays in Brooklyn and works. Over the course of the summer, Mattie, 12, falls in love; Abigail, 10, writes letters to her father and loses herself in Bridge to Terabithia, board games, and the water; and Claire, 7, listens, watches, bosses people around, and has a tremendous time learning secrets and suffering the tragedies that only a youngest sibling can suffer. Everything looks—and is—wonderful, but Louisa and Steven’s marriage is under strain, her book isn’t coming along, her father’s Alzheimer’s is getting worse, her mother’s endless reservoir of money is drying up, and she discovers that her father is not perfect. Kristie, a half sister Louisa never knew about, arrives in Maine, three years sober and looking for her own closure after her mother’s recent death. Author Moore has expertly woven together first-person narratives from Louisa; Kristie; Martin; the family’s housekeeper Pauline; and the children to create an engrossing story of one summer, many summers, multiple lives.
A truly lovely tale of families, love, mistakes, forgiveness, and, yes, happiness.Pub Date: June 14, 2022
ISBN: 978-0-06-302611-7
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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