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THE POSTMISTRESS OF PARIS

Sympathetic characters propel a tense narrative.

Love and peril in Vichy, France.

Mary Jayne Gold, an American heiress who worked to rescue artists and intellectuals from Nazi-occupied France, has inspired Clayton’s spirited reimagining of those turbulent years, centered on the intrepid Nanée Gold—she can fly a plane!—and the handsome photojournalist Edouard Moss, a widower with an impossibly adorable young daughter. While Nanée and Edouard are fictional, Clayton embeds them in a world of real people: Marc Chagall, incredulous that his own government would turn against him; Pablo Picasso, who refused to leave Paris; Leonora Carrington, who comes to a gathering at Nanée’s Paris apartment; Lion Feuchtwanger, Hans Bellmer, and Max Ernst, among many others imprisoned at the Camp des Milles internment camp; and André Breton and his wife, Jacqueline, who hold a salon in the Villa Air-Bel, a safe house secured and paid for by Nanée, where fellow surrealists distract themselves in talk, dancing, and games. Although friends urge Nanée to go home, she has no interest in returning to a vacuous life as a socialite; instead, she insists, she “wanted to do something to help, the same as any decent person in this newly terrible world surely must.” Her chance comes in 1940, with the arrival of Varian Fry, sent by the American Emergency Rescue Committee to facilitate the escape of some 200 painters, composers, and writers in danger of Nazi persecution. Fry, realizing the benefit of Naneé’s willingness and wealth, makes her a courier—a postmistress—delivering messages throughout Paris. The plot thickens when Nanée becomes infatuated with Moss, who has been sent to Camp des Milles. Dressed in a couture suit, wearing diamonds and a dab of Chanel No. 5, Naneé devises her own mission to get him out. As their love affair intensifies, so do their desperate efforts to find Moss’ daughter and, somehow, survive the ominous world of war.

Sympathetic characters propel a tense narrative.

Pub Date: Nov. 30, 2021

ISBN: 978-0-06-294-698-0

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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