An unsettling, nightmare-inducing morsel from a master of suspense.
An expecting couple’s whirlwind summer trip to reconnect with family unravels into something like a game of cat and mouse.
It’s no spoiler to say that Jed and Jacy’s trip to Michigan’s Upper Peninsula to visit Jed’s father, Dr. Ash, doesn’t go as expected. Jacy, as first-person narrator, is not afraid to drop hints that all is not well in Jed’s childhood home despite the happy reason for the trip—celebrating the newlyweds’ pregnancy news. After a lucid dream in a roadside motel, Jacy suggests “we could go back and just explain it wasn’t a good time. Not with the baby coming.” How different things could have been. Instead, the couple pushes on, their nervous excitement brimming. “It was tempting fate, though, wasn’t it? I see that now,” says Jacy, a couple days into the visit and growing more aware. Dr. Ash shows a touching interest in Jacy’s well-being, an eye always on her belly. It’s only natural that Jed’s mother would come up. She died in childbirth, Dr. Ash reveals. “Had Jed told me this and I’d missed it?” Jacy wonders. This is the first crack in the family facade, a chip in the paint that reveals layers of history underneath. The voice of Jacy’s own mother rings in her head—“Honey…we all marry strangers.” Lurking in the background is Mrs. Brandt, the Ash household’s longtime caretaker. Her formal nature suggests a strong loyalty to Jed’s family. “It’s hard enough seeing you,” Mrs. Brandt says. “Pregnant, fulsome. Fecund, ripening.” This ability to twist a good thing inside out until it feels shameful is classic Abbott. Jacy’s belly is suddenly a trigger, the inevitability of birth like a bomb waiting to go off. Unease turns to discomfort turns to fear when Jacy wakes up bleeding one morning, and suddenly her body no longer feels like her own. Jacy wants to leave, but Dr. Ash wants her to do what’s best for the baby. Who gets to decide? And what about Jed? Compared to Jacy, Jed reads like a ghost of a person, flat on the page. But maybe that’s the point given this is Jacy’s story to tell. Abbott masterfully uses the pretext of a pregnant woman’s heightened senses—“I could smell everything now…even the carpet glue, the wood paste in the staircase post”—to build a claustrophobic atmosphere of mistrust and insecurity reminiscent of Get Out. You’re sure to get chills.
An unsettling, nightmare-inducing morsel from a master of suspense.Pub Date: May 30, 2023
ISBN: 9780593084939
Page Count: 304
Publisher: Putnam
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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