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DIE A LITTLE

In these tasty noir stylings, you can almost smell the smoke and hear the clinking of ice cubes.

A schoolteacher gets jumpy when her brother falls for sizzling hot dame.

Well, it’s not quite as sleazy as that, but this first novel has everything one could hope for in a noir without ever seeming imitative or stale. The author of The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir (not reviewed), Abbott knows just how to set her readers up for her taut little tale set, natch, in the City of Angels in the 1950s. Narrator Lora King is a quiet girl with no real romantic prospects. Not old but definitely not young, she’s a teacher who spends most of her time with her square-jawed and well-meaning brother Bill, an investigator for the DA’s office. When Bill gets married to Alice Steele, a drop-dead-gorgeous glamour girl who reeks of femme fatale, you’d think it would pull brother and sister apart. But even Lora has to admit that Alice, for all her mysterious past and near-neurotic levels of antic activity, seems like a pretty good wife, all said, with fancy dinner parties, cocktail hours with the neighbors, nightclub outings. Like the sister Lora never had, Alice even comes to teach at Lora’s school and gets her a boyfriend, a publicist she knows from back when she worked in movies. But, still, Lora can see the chinks in Alice’s façade. She knows that Alice’s friends look like trouble. And there are those rumors she’s starting to hear. . . . Not for Abbot are the self-conscious pastiches of Chandler imitators or the crazed spewings of a James Ellroy, but instead she gives us the true dark heart of the city in sharply contrasted blacks and whites, dense with heartache. Even though readers may be reminded of a dozen previous books or films, Abbott makes sure they won’t mistake this one for any but her own.

In these tasty noir stylings, you can almost smell the smoke and hear the clinking of ice cubes.

Pub Date: Feb. 1, 2005

ISBN: 0-7432-6170-4

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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