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THE BIRD AND THE BLADE

A must-read for fans of heart-wrenching, sob-your-heart-out YA.

A Mongol slave must choose between escaping her captivity and saving the man she loves.

When the Chinese Song dynasty is conquered by the Mongol-led Yuan dynasty in 1279, Jinghua is enslaved by the Khipchak khanate. In autumn of 1280, the khanate itself is overthrown by enemy forces, and the exiled Timur Khan and his youngest son, Prince Khalaf, must flee. Jinghua joins their fugitive party disguised as a boy. Traveling across the vast Mongol Empire, Khalaf finds comfort in Jinghua’s companionship, and they bond over Hanyu (Mandarin Chinese) lessons and poetry as, against her better judgment, she falls in love with him. Alas, Khalaf devises a plan of last resort to save his kingdom—he will marry Turandokht (yes, as in Puccini’s Turandot), the beautiful but heartless daughter of the Great Khan; however, potential suitors must solve three riddles or face execution. With Khalaf’s life at stake, Jinghua must prove her mettle, even if it means sacrificing the one thing that she holds most dear. Though the tale is ancient and epic, this is a fast-paced page-turner. Thorough research helps build a believable 13th-century Mongolia, and the Romanized Mandarin Chinese is used precisely, right down to the tonal inflections. Lavish, sweeping, and powerful, this is a love story, tragicomedy, and history lesson rolled into one.

A must-read for fans of heart-wrenching, sob-your-heart-out YA. (cast of characters, map, historical notes, author’s note, glossary) (Historical fiction. 12-18)

Pub Date: June 5, 2018

ISBN: 978-0-06-267415-9

Page Count: 432

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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