Adoption is such an individual event that it is difficult for one picture book to address every situation and circumstance....
An adoption story explores the concept of “real sisters.”
It is obvious that Tadgell’s sisters are not biologically related: Tayja is black, her hair in a topknot ponytail, while Mia is lighter-skinned with bright green eyes and tousled, short dark brown hair. But nevertheless, the two are real sisters—adoption made them so. Lambert’s purposive tale follows the two as they play a game of pretend princesses climbing a mountain (the sofa). Mia is still getting the hang of pretending (she thought the word was “betend”), so when she suggests they pretend to be sisters, Tayja holds Mia’s face in her hands, the two touching foreheads, and states, “No, Mia—we don’t have to pretend that. We are sisters. Real sisters.” She then helps Mia recall how they were adopted and became sisters and addresses the issue of outsiders’ comments and queries. (Further pushing the diversity of this family, it is headed by two moms.) The story is told entirely in the color-coded dialogue bubbles between the two sisters, which means the girls sometimes sound stilted and unnatural. But their interactions and pure joy in togetherness are anything but in the watercolor illustrations.
Adoption is such an individual event that it is difficult for one picture book to address every situation and circumstance. This is best used as a discussion starter with adopted children and for the outsiders who don’t understand that adoption creates families. (author’s note) (Picture book. 3-8)Pub Date: May 1, 2016
ISBN: 978-0-88448-441-7
Page Count: 32
Publisher: Tilbury House
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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