Adoption is such an individual event that it is difficult for one picture book to address every situation and circumstance....
An adoption story explores the concept of “real sisters.”
It is obvious that Tadgell’s sisters are not biologically related: Tayja is black, her hair in a topknot ponytail, while Mia is lighter-skinned with bright green eyes and tousled, short dark brown hair. But nevertheless, the two are real sisters—adoption made them so. Lambert’s purposive tale follows the two as they play a game of pretend princesses climbing a mountain (the sofa). Mia is still getting the hang of pretending (she thought the word was “betend”), so when she suggests they pretend to be sisters, Tayja holds Mia’s face in her hands, the two touching foreheads, and states, “No, Mia—we don’t have to pretend that. We are sisters. Real sisters.” She then helps Mia recall how they were adopted and became sisters and addresses the issue of outsiders’ comments and queries. (Further pushing the diversity of this family, it is headed by two moms.) The story is told entirely in the color-coded dialogue bubbles between the two sisters, which means the girls sometimes sound stilted and unnatural. But their interactions and pure joy in togetherness are anything but in the watercolor illustrations.
Adoption is such an individual event that it is difficult for one picture book to address every situation and circumstance. This is best used as a discussion starter with adopted children and for the outsiders who don’t understand that adoption creates families. (author’s note) (Picture book. 3-8)Pub Date: May 1, 2016
ISBN: 978-0-88448-441-7
Page Count: 32
Publisher: Tilbury House
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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