A night of passion in a pleasure garden turns into an age-gap romance between a dowager duchess and a dashing entrepreneur.
In the second School for Scoundrels novel, Alexandra, dowager Duchess of Chelmswich, is finally ready to claim her independence. Enjoying a sexually fulfilling night with a stranger feels like a good start. When she later learns that Theo Osborne is the man chosen by the current duke—her stepson—for her debutante daughter, Harriet, it’s an unanticipated complication. Wealthy, self-made Theo had planned to marry up the ranks in keeping with his adopted father’s wish. But a final night of enjoying his unattached state before meeting Harriet has ensnared his heart. Now he's willing to give up his earlier plan and risk the spite of the duke, but the skittish widow might take some convincing. Alexandra has had enough of men dictating her choices, and even Theo, the attractive younger man who matches her intellectually and sexually, feels like a threat. But as they are forced to pretend that she's engineering a match between him and her equally uninterested daughter, the couple slips into a passionate affair, including a sudden trip to Paris. A series of scenes meant to show their compatibility and the ensemble cast of his foster brothers and her protofeminist stepdaughter and daughter don’t quite live up to the intriguing opening scene. A rushed third-act breakup and a predictable development end with the reluctant 40-year old heroine trusting that her young lover can be a better man than any she has known.
An exciting premise and feminist theme, but the execution feels contrived and conservative.