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A HOUSE FOR EVERY BIRD

A fresh and funny take on an old moral.

A young artist learns that our inner worlds are more than what meets the eye.

An unnamed child is on a seemingly simple mission: to draw a bunch of birds and sketch a house for each of them. At first, the brown-skinned protagonist’s creative process is fairly straightforward, matching each avian to a home that shares their physical characteristics. “Red for red,” the narrator explains, and “tall for tall.” Readers receive a bird’s-eye view of the drawings, rendered in perfect, youthful splendor by Juanita. Despite the child’s best efforts, the birds don’t seem to agree with their housing assignments. Blue Bird and Orange Bird want to swap spots while Large Bird prefers a tiny abode. Ducks may typically be found in ponds, but the young artist’s duck “[doesn’t] swim, man.” As the discerning birds and their maker argue, the frustrated child soon realizes that the birds’ unexpected preferences are not the issue—the artist’s own assumptions are. Instead of guessing based on presuppositions, the protagonist learns that simply asking is the best way to know what someone likes. Interactions among the child and their artistic subjects are depicted in Juanita’s expressive signature style; her use of texture, color, and detail is the book’s highlight. They expand on Maynor’s thoughtful—if rather clunky—narrative, together comically teaching youth to let others define themselves and avoid the pitfalls of inadvertent stereotyping. (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 14.1% of actual size.)

A fresh and funny take on an old moral. (Picture book. 5-10)

Pub Date: Feb. 16, 2021

ISBN: 978-1-984896-48-3

Page Count: 32

Publisher: Knopf

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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