A HOUSE FOR EVERY BIRD

A young artist learns that our inner worlds are more than what meets the eye.

An unnamed child is on a seemingly simple mission: to draw a bunch of birds and sketch a house for each of them. At first, the brown-skinned protagonist’s creative process is fairly straightforward, matching each avian to a home that shares their physical characteristics. “Red for red,” the narrator explains, and “tall for tall.” Readers receive a bird’s-eye view of the drawings, rendered in perfect, youthful splendor by Juanita. Despite the child’s best efforts, the birds don’t seem to agree with their housing assignments. Blue Bird and Orange Bird want to swap spots while Large Bird prefers a tiny abode. Ducks may typically be found in ponds, but the young artist’s duck “[doesn’t] swim, man.” As the discerning birds and their maker argue, the frustrated child soon realizes that the birds’ unexpected preferences are not the issue—the artist’s own assumptions are. Instead of guessing based on presuppositions, the protagonist learns that simply asking is the best way to know what someone likes. Interactions among the child and their artistic subjects are depicted in Juanita’s expressive signature style; her use of texture, color, and detail is the book’s highlight. They expand on Maynor’s thoughtful—if rather clunky—narrative, together comically teaching youth to let others define themselves and avoid the pitfalls of inadvertent stereotyping. (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 14.1% of actual size.)

A fresh and funny take on an old moral.