You’d have to be beserk(er) not to appreciate this mighty gal.
A small-town “farmersdotter” hits the big time when she joins a warrior woman’s brigade.
Whether it’s bedtime, fish-pickling time, or her monthly bathtime, Helga continually craves stories about her favorite Viking warrior, Ingrid the Axe. Her parents, however, are quick to point out that “Warriors do not come from small mountain villages like ours.” Undeterred, when Ingrid comes to a nearby port city to recruit, Helga is raring to prove her worth. Other warriors mock her clothes and faithful pet wolverine, and when the trials begin she seems out of her element. Fortunately, Helga’s talents shine through, earning her infamy and the eponym Helga the Howler. An author’s note gives Vikings some context, and there are even recommended books and pertinent websites for further reading. The storyline packs lot of action into a few pages, pacing everything at a mighty clip. Humor abounds in the text, as in a section of dialogue written in Minnesotan-esque phrasings (“Yah?” “Yah, sure. You betchya”). Meanwhile, the art is peppy and thoroughly upbeat. Those with a yen for a warrior-woman storytime should pair this with such titles as The Princess and the Pony by Kate Beaton (2015). Helga and her parents present White, and there appear to be some Vikings of color among the supporting cast.
You’d have to be beserk(er) not to appreciate this mighty gal. (Picture book. 4-6)Pub Date: Nov. 10, 2020
ISBN: 978-1-328-95783-2
Page Count: 32
Publisher: Clarion Books
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
