From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
This vibrant, thoughtful book from Katz (Over the Moon, 1997) continues her tribute to her adopted daughter, Lena, born in Guatemala. Lena is “seven. I am the color of cinnamon. Mom says she could eat me up”; she learns during a painting lesson that to get the color brown, she will have to “mix red, yellow, black, and white paints.” They go for a walk to observe the many shades of brown: they see Sonia, who is the color of creamy peanut butter; Isabella, who is chocolate brown; Lucy, both peachy and tan; Jo-Jin, the color of honey; Kyle, “like leaves in fall”; Mr. Pellegrino, the color of pizza crust, golden brown. Lena realizes that every shade is beautiful, then mixes her paints accordingly for portraits of her friends—“The colors of us!” Bold illustrations celebrate diversity with a child’s open-hearted sensibility and a mother’s love. (Picture book. 6-8)
Pub Date: Sept. 1, 1999
ISBN: 0-8050-5864-8
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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