The novel’s brilliant individual vignettes far outshine a rather flimsy overarching plot.
A polyphonic novel that sharply observes class and religious divisions in India.
Shaken by a terrorist attack that sets train cars ablaze and kills more than a hundred people, Jivan, a young Muslim woman living in the nearby Kolabagan slum, posts a careless comment lambasting the government on Facebook and is thrown in jail as a suspect for the attack. As her case becomes national news and the public is increasingly convinced of her guilt, Jivan works to prove her innocence by arranging clandestine conversations with a reporter. “Believe me when I say you must understand my childhood to know who I am, and why this is happening to me,” she tells him. It was a youth marked by poverty, humiliation, and violence, often at the hands of local officials: Policemen wielding bamboo rods demolished her family’s hut in a rural village, leaving her father with a debilitating injury, and the family was tricked into purchasing a plot in a dangerous slum. Meanwhile, as Jivan’s trial nears, two of her acquaintances become witnesses: Lovely, a neighbor who learned English from Jivan, takes acting classes and dreams of becoming a film star while PT Sir, the physical training teacher at Jivan’s old school, gets involved with the populist Jana Kalyan Party and performs a series of increasingly morally questionable acts to curry favor with its leader. Debut author Majumdar has a gift for capturing the frustrating arbitrariness of local government and conjures up scenes in just a few well-chosen images, like this lunch: “PT Sir looks at her, and her plate, where she has made a pile of fish bones, curved like miniature swords.” Lovely, a hijra—a trans woman who lives in a religious community with others like her—is, voicewise, a particular gem. “My chest is a man’s chest, and my breasts are made of rags. So what? Find me another woman in this whole city as truly woman as me.” But Jivan’s storyline feels a bit thin, seemingly purpose-built to make a point about the very real injustices of being poor and a member of a hated religious minority.
The novel’s brilliant individual vignettes far outshine a rather flimsy overarching plot.Pub Date: June 2, 2020
ISBN: 978-0-525-65869-6
Page Count: 304
Publisher: Knopf
Review Posted Online: March 4, 2020
Kirkus Reviews Issue: March 15, 2020
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
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