by Meghan Daum ‧ RELEASE DATE: March 1, 2001
Promising, but hampered by jejune subject matter, Daum fails to hit her target.
A Manhattan-centric, playful collection of essays from a young writer searching for authenticity in a material world.
Born in 1970, Daum (whose essays have appeared in the New Yorker and Harper’s) introduces herself as a Gen-Xer in desperate pursuit of the poshness associated with Manhattan’s elite. These ten essays focus primarily on the author’s life—the trivial world of an egotistical, self-proclaimed shiksa—ranging from subjects like Visa card debt to online romance to her aversion to wall-to-wall carpeting. Daum’s candid voice is at once engaging, blithe, and pretentious as she describes her determination to attend Ivy League schools, where she happily assimilated into the highbrow culture of her wealthy classmates. Readers who abandoned suburban homes to pursue low-paying glamour professions in the Big Apple may relate to living in denial (of student loans) and in hope (of finding an affordable apartment), but Daum’s endless whining about her inability to live within her means will tax anyone’s patience in short order. Her choice of topics reveals her youth—many essays seem to emerge from her school experiences. She’s at her best when recalling unique and highly personal events, such as her romantic expectations of the infatuated fan who contacted her via e-mail, and the seemingly heartless way in which she reacted to the death of an underachiever friend. The two journalistic pieces (one concerning the unconventional lives of American flight attendants, the other on a Northern California cult that justifies promiscuity with homespun spirituality) aim for shock value but fall flat as she rambles, incongruously, about her childhood recollections of practicing the oboe, destroying her baby dolls, and flirting with Jewish boys.
Promising, but hampered by jejune subject matter, Daum fails to hit her target.Pub Date: March 1, 2001
ISBN: 1-890447-26-9
Page Count: 180
Publisher: Open City
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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