by Meghan Daum ‧ RELEASE DATE: Oct. 22, 2019
Sharp, brazen, and undeniably controversial.
A sweeping critique of the “wokescenti.”
Award-winning essayist, memoirist, and novelist Daum (The Unspeakable: And Other Subjects of Discussion, 2014, etc.), recipient of Guggenheim and National Endowment for the Arts fellowships, takes on fourth-wave feminism, victimhood, identity politics, #MeToo, social media, ideological warfare on college campuses, and assorted other irritants in a culture that is “effectively mentally ill.” Social media, asserts the author, creates an echo chamber where people lie to one another and eagerly wait for friends to lie back. “I am convinced,” she writes, “the culture is effectively being held hostage by its own hyperbole. So enthralled with our outrage at the extremes, we’ve forgotten that most of the world exists in the mostly unobjectionable middle.” Examining displays of outrage as public performance, she writes that “the search for grievance has become a kind of political obligation, an activist gesture.” Accusations of sexism, sexual harassment, or assault, she believes, foster women’s image of themselves as victims rather than individuals “capable of making mistakes”; in making such accusations, women “literally hand men their own power.” Rather than see the gender wage gap as evidence of sexism, Daum suggests “that there are biological differences between male and female brains that can influence women’s professional decisions.” She also criticizes “the left-leaning chatterati” who praised Ta-Nehisi Coates’ Between the World and Me as engaging in “self-congratulatory reverence,” wondering “if my white friends and colleagues who venerated Coates actually liked his work or just liked the idea of liking it.” This suspicion of other people’s authenticity underlies much of the book: Daum admits that when she was an undergraduate in the midst of student uprisings, she “often felt like I was impersonating a college student…I had a hard time believing other people were actually for real.” Now middle-aged, divorced, childless by choice, and feeling increasingly marginal, the author is dismayed by those whose energetic engagement with social and cultural problems fuels “the exquisite lie of our own relevance.”
Sharp, brazen, and undeniably controversial.Pub Date: Oct. 22, 2019
ISBN: 978-1-982129-33-0
Page Count: 256
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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