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ACTION!

HOW MOVIES BEGAN

Movie history deserves no less than this stunning encapsulation, cleverly designed and gorgeously rendered.

McCarthy presents an ambitious encapsulation of the birth of movies with humor and modern touches.

Blending her customary, big-eyed cartoons with a more sophisticated realism, McCarthy offers a stirring, occasionally quirky deep dive into early film. From Eadweard Muybridge’s galloping horse to the last movies of the silent era, a selection of famous films is presented as McCarthy chronicles cinema history. Meticulous art captures architectural details, silent film stars, and even the world’s earliest example of a silly cat video (“The Boxing Cats” from 1894). The book links early films with movies kids may have seen; the Maschinenmensch of Metropolis is paired with C-3PO of Star Wars, Harold Lloyd’s Safety Last with Hugo and Back to the Future, and so on. Some inclusions, like Johnny Depp’s appearance in Benny & Joon, are unfortunate in light of their stars’ behavior. McCarthy briefly addresses the prejudice confronted by people of color in the film industry, with special attention paid to Josephine Baker and contemporary films like Black Panther. Backmatter includes five stories from film’s past, all worthy of their own books. The overall effect is less exhausting than it is inspiring. Kids will reach the end and likely be disappointed that the story doesn’t continue. (This book was reviewed digitally.)

Movie history deserves no less than this stunning encapsulation, cleverly designed and gorgeously rendered. (author’s note, bibliography) (Nonfiction picture book. 7-12)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-5230-5

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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IF YOU LIVED DURING THE PLIMOTH THANKSGIVING

Essential.

A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”

Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)

Essential. (Nonfiction. 8-12)

Pub Date: Nov. 2, 2021

ISBN: 978-1-338-72637-4

Page Count: 96

Publisher: Scholastic Nonfiction

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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