by Meghan McCarthy & illustrated by Meghan McCarthy ‧ RELEASE DATE: March 1, 2003
Bright primary colors and energetic design enliven this portrayal of a little boy, who, in typically perverse youngster fashion, likes to do everything upside down. That’s fine while he’s playing, but his parents wish he would sit right-side up in the car and at the dinner table. His teacher sends him to a tutor, the tutor sends him to the nurse, and the nurse sends him to the principal, who comes up with a creative solution: George is made to wait outside the principal’s office until his curiosity gets the better of him; when he finally peeks in, he sees his parents, teacher, nurse, tutor, and principal, all standing on their heads. Now that being upside down isn’t so much of a novelty, George turns his attention to a new project that gets him in a little less trouble: becoming Super George. McCarthy’s picture-book debut features riotous pictures of inverted George going about his daily activities (yo-yoing, eating dinner, etc.) with his feet in the air. One hilarious spread, from George’s point of view, shows feet that turn out to belong to his parents, teacher, etc., walking by while George is waiting for the principal. The flat, bold illustrations feature comically stylized people with exaggerated googly eyes; the simple facial expressions are marvelously apt at conveying George’s mischievousness and the adults’ worried censure. Beware teachers and parents: readers may be inspired to try some of George’s tricks themselves. (Picture book. 3-7)
Pub Date: March 1, 2003
ISBN: 0-670-03608-0
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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