An earnest but belabored story of love and cognitive disability.
A teen with Down syndrome runs away to find her boyfriend when her parents forbid their relationship.
Sixteen-year-old Rose Tremayne and her boyfriend, Jack, were made for each other. Jack, who was born with a brain injury, helps Rosie with reading and writing; Rosie calms his anger issues. But after a violent outburst, Jack is sent away—and Rosie’s parents think she should forget him. Rosie resolves to find Jack herself, taking the train to London alone and venturing into the city’s labyrinthine subway system. As she copes with transportation setbacks, she encounters assorted strangers—some kind and some with unsavory intentions. Though secondary characters lack depth, Rosie’s narration sympathetically expresses her determination, frustration, and naïveté in equal measure, and others’ patronizing and rude reactions to her disability are sadly realistic. However, much of the plot feels contrived. Despite Darbon’s efforts to show that Rosie is more than her Down syndrome, she doesn’t escape being a symbol of childlike innocence, a problematic trope. While a twist darkly demonstrates how people with intellectual disabilities can be targets of abuse, its execution is somewhat implausible. Portrayed primarily through Jack’s misspelled postcards and florid prose such as “The sun came out in my head and my heart grew wings and took me up to the moon,” the romance never quite feels three-dimensional; the ending, though touching, is rather pat. Most characters default to White.
An earnest but belabored story of love and cognitive disability. (author's note) (Romance. 14-16)Pub Date: March 1, 2021
ISBN: 978-1-68263-289-5
Page Count: 352
Publisher: Peachtree
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to...
A teenager with epilepsy who has recently lost her father to cancer overcomes the depression induced by grief and illness as she acclimates to attending public school for the first time in several years and finds a boyfriend.
Home-schooled and reluctant to engage with strangers, Emilie spends her spare time reading, cuddling with her therapy dog, Hitch, and playing board games with Cindy, her 8-year-old neighbor. Forced to begin classes at the local high school, Emilie is determined to remain aloof. A smart, creative girl named Ayla and a hot (and very nice) boy named Chatham befriend her, making it hard to stay distant and self-contained. Conflicts with her mother, who is just beginning to date, and concern about the potential embarrassment of having a seizure at school further complicate Emilie’s life. Miserable and self-absorbed, Emilie is exceedingly articulate. Indeed, her first-person narration sometimes sounds older than her years, particularly when describing her crush. Extended metaphors abound, most involving water. That’s logical given the Outer Banks setting and Emilie’s fears, but they slow the flow of the plot and contribute to the not entirely believable tone. Emilie seems to be white, and so does her world, aside from the occasional student of color.
Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to some readers; others will swoon over the dreamy Chatham and root for Emilie to come out of her shell. (Romance. 14-16)Pub Date: Sept. 5, 2017
ISBN: 978-0-310-75851-8
Page Count: 304
Publisher: Blink
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Bloody? Yes. Scary? No.
Someone is murdering high school students. Most freeze in fear, but a brave few try to stop the killings.
Senior Makani Young has been living in corn-obsessed Nebraska for just a little over a year. She has developed a crush and made some friends, but a dark secret keeps her from truly opening up to those around her. As the only half–African-American and half–Native Hawaiian student in her school, she already stands out, but as the killing spree continues, the press descends, and rumors fly, Makani is increasingly nervous that her past will be exposed. However, the charming and incredibly shy Ollie, a white boy with hot-pink hair, a lip ring, and wanderlust, provides an excellent distraction from the horror and fear. Graphic violence and bloody mayhem saturate this high-speed slasher story. And while Makani’s secret and the killer’s hidden identity might keep the pages turning, this is less a psychological thriller and more a study in gore. The intimacy and precision of the killer’s machinations hint at some grand psychological reveal, but lacking even basic jump-scares, this tale is high in yuck and low in fright. The tendency of the characters toward preachy inner monologues feels false.
Bloody? Yes. Scary? No. (Horror. 14-16)Pub Date: Sept. 26, 2017
ISBN: 978-0-525-42601-1
Page Count: 352
Publisher: Dutton
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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