An inspiring guide to ennobling personal stories that travel to the dark sides of life.
Investigations into the struggles of rendering painful memories on the page.
Acclaimed memoirist Mary Karr once said, “writing a memoir, if it’s done right, is like knocking yourself out with your own fist.” It’s difficult and especially painful to write about dark, difficult memories. Brooks’ (Professional Writing/Northeastern Univ.) own experience of trying to write a memoir about her father’s death from a secret AIDS infection had been “agonizing” and “terrifying,” so she decided to travel the country to interview and learn from memoirists whose books confronted these subjects head-on. Over and over, the authors told her that these were stories they had to write. Andre Dubus III felt he “had to pull out of the dark and hold up to the light” the story about his difficult relationship with his famous author father. After he finished Townie (2011),“it felt really good….I felt cleansed.” Sue William Silverman’s “raw and profoundly vulnerable” Because I Remember Terror, Father, I Remember You (1996) exposed 14 years of sexual abuse she suffered while her mother remained silent and “complicit.” After poet Mark Doty’s partner of 12 years died from AIDS, he wrote Heaven’s Coast (1996): “I have not been immobilized by grief, but I have certainly carried it with me.” Edwidge Danticat’s “exquisite and heartbreaking” Brother, I’m Dying (2007), about her Haitian father and uncle, is a “powerful witness to the large-scale injustices so many immigrants face upon entering this country.” She told Brooks that it’s the “most beautiful memorial I could have created for [them].” “Gender outlaw” Kate Bornstein’s A Queer and Pleasant Danger recounts “desperately [trying] to be someone she was not” and escaping the Church of Scientology to finally find fulfillment after gender reassignment surgery. Other authors interviewed include Kim Stafford, Richard Blanco, Richard Hoffman, Kyoko Mori, and Jerald Walker.
An inspiring guide to ennobling personal stories that travel to the dark sides of life.Pub Date: Feb. 7, 2017
ISBN: 978-0-8070-7881-5
Page Count: 248
Publisher: Beacon Press
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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