Compelling, powerful and unforgettable.
A novel in verse featuring the real-life Clara Lemlich, a courageous, tenacious warrior for workers’ rights in turn-of-the-20th-century New York City.
Newly arrived in New York from Russia, she finds employment in a sweatshop, where young immigrant girls toil in dangerous conditions, cheated and harassed by bosses, earning pennies for long hours of work. Sacrificing her dream of an education and in spite of her family’s dire economic straits, she devotes her energy to supporting these girls, fighting for the inclusion of women in the all-male garment union and winning them their own local. She organizes strikes against individual sweatshops and leads the Uprising of the 20,000, during which she and the other young women strikers are repeatedly beaten by police and hired thugs, arrested and jailed. From her constricted life in a Russian shtetl and difficult journey to America to the choices she makes in her new life, readers hear Clara’s strong, clear voice in action-packed verses that convey with intense emotion her conflicts and conviction, her deepest thoughts, and her doubts and triumphs. Crowder breathes life into a world long past and provides insight into the achievements of one determined woman who knows she will “give / without the thought / of ever getting back, / to ease the suffering of others. / That, / I think, / I will be doing / the rest of my life.”
Compelling, powerful and unforgettable. (historical note, interview, glossary, sources) (Historical fiction/poetry. 12-18)Pub Date: Jan. 8, 2015
ISBN: 978-0-399-16899-4
Page Count: 400
Publisher: Philomel
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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