MAZIE

In 1959, the star soloist of her small Nebraska farm town leaves everything behind for a chance at musical-theater stardom in New York City.

Triple-threat high school senior Mazie Butterfield dreams of getting out of Fairbury and breaking into Broadway even if it means bidding farewell to her loving family and serious boyfriend, Jesse. When an unexpected graduation gift offers enough money for a train ticket and six weeks in the city, Mazie hurriedly takes off for a bed in a “boardinghouse for theatrical young ladies” run by Mrs. Cooper, a Black former Broadway dancer. Mazie quickly falls into a repetitive cycle of auditions and rejections, and although she’s disheartened to be deemed too sturdy, Midwestern, and plain for most parts, she eventually scores an understudy gig for an “industrial” (a corporate-sponsored, limited-run musical) touring the Corn Belt to promote a new tractor model. Throughout the story, White, sheltered Mazie uncovers some truths about life in the arts, such as that several male counterparts are gay, that married women with children have trouble returning to the business, and that certain producers and directors sexually harass and intimidate the women in their shows. Filled with Broadway trivia, the book is a dream for musical theater fans, and the love story between Mazie and Jesse is heartfelt. The characters, including secondary ones, are well developed and fully realized, and the book features noteworthy queer representation.

Deserves a standing ovation.