by Melanie Florence ‧ RELEASE DATE: Sept. 22, 2020
A rare and welcome reluctant reader title featuring an Indigenous protagonist.
A 14-year-old artist navigates her racial identity and anti-Indigenous racism.
Jen has brown skin like her Cree mother, but her older brother resembles their pale, redheaded Irish father. Though Jen has a loving and supportive family, she wonders if her life wouldn’t be easier if she were light-skinned. Once she’s accepted to a prestigious arts high school, Jen thinks she’s finally found a place where she belongs. But bigotry knows no bounds, and racist students accuse her of only getting in because of her heritage and mock the Indigenous influences in her work. When their racism manifests as destruction of property, Jen at first chooses not to tell any adults about the incident. Instead, she strives on her own to prove that she belongs at art school, possibly leading readers to believe the narrative is suggesting racism should be “overcome” by victims instead of putting the responsibility squarely on the shoulders of the perpetrators. Jen gets a happy ending and, fortunately, is able to express herself through her art. The writing is sometimes clunky, but the representation of a contemporary biracial Indigenous girl is valuable. Rather than delving into the larger history of oppression of Indigenous peoples in Canada, the Scottish/Cree author offers a mirror to the sometimes painful emotions and everyday experiences of Indigenous teens of mixed heritage.
A rare and welcome reluctant reader title featuring an Indigenous protagonist. (Fiction. 12-18)Pub Date: Sept. 22, 2020
ISBN: 978-1-4598-2586-4
Page Count: 144
Publisher: Orca
Review Posted Online: May 15, 2020
Kirkus Reviews Issue: June 1, 2020
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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