Fresh and exciting; sure to delight and surprise.
Happily-ever-after has no predictable formula for these protagonists.
In the king’s forest, a young ranger is charged with protecting the magical flowers. When a flower thief shows the ranger that any picked flowers will be replaced by two more the next day, the ranger begins to question the king’s edict. In another kingdom, a princess tries to woo an uninterested goose girl, promising more and more rewards in exchange for accepting the marriage proposal. With each refusal, the princess grows angrier and more confused. In a village far away, a child enlists their grandmother’s help in burning away their old name, but the ritual is interrupted by their grandfather’s death, and their old name returns to haunt them. The men of another village sacrifice a woman to the Giantess every year, but the latest sacrifice discovers things may not be as they seem. These stories and more are told through enchanting full-color art whose sweet, pastel shades and soft lines belie the powerful punch the stories convey. Each narrative is self-contained and perfect for reading either individually or in one fully engrossed sitting. Gillman subverts the traditional fairy-tale format in an evolution of the genre that does not feel out of place alongside the classics. Characters present as diverse in race, sexuality, and gender expression.
Fresh and exciting; sure to delight and surprise. (Graphic fiction. 12-17)Pub Date: Sept. 20, 2022
ISBN: 978-0-593-30319-1
Page Count: 240
Publisher: Random House Graphic
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
A meditation on a timely subject that never forgets to put its characters and their stories first
An Afghani-Australian teen named Mina earns a scholarship to a prestigious private school and meets Michael, whose family opposes allowing Muslim refugees and immigrants into the country.
Dual points of view are presented in this moving and intelligent contemporary novel set in Australia. Eleventh-grader Mina is smart and self-possessed—her mother and stepfather (her biological father was murdered in Afghanistan) have moved their business and home across Sydney in order for her to attend Victoria College. She’s determined to excel there, even though being surrounded by such privilege is a culture shock for her. When she meets white Michael, the two are drawn to each other even though his close-knit, activist family espouses a political viewpoint that, though they insist it is merely pragmatic, is unquestionably Islamophobic. Tackling hard topics head-on, Abdel-Fattah explores them fully and with nuance. True-to-life dialogue and realistic teen social dynamics both deepen the tension and provide levity. While Mina and Michael’s attraction seems at first unlikely, the pair’s warmth wins out, and readers will be swept up in their love story and will come away with a clearer understanding of how bias permeates the lives of those targeted by it.
A meditation on a timely subject that never forgets to put its characters and their stories first . (Fiction. 12-17)Pub Date: May 9, 2017
ISBN: 978-1-338-11866-7
Page Count: 402
Publisher: Scholastic
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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