THE HIDDEN

Following her memorably creepy debut, Little Darlings (2019), Golding scaffolds an unsettling series of revelations on the folktale “The Mermaid Wife.”

As if eager to please Sgt. Friday, Golding begins with just the facts. Leonie Douglas is a toddler suddenly separated from her mother in a shop in the seaside town of Cleethorpes. Ruby Harper, violinist and teacher, shows up and claims Leonie as her daughter; she happens to be wearing the same outfit as Constance Douglas, the girl's actual mother. Diane Rathbone, the Social Services worker called to the scene by the fast-arriving police, questions Ruby briefly before letting her go, convinced that she couldn’t possibly harm the little girl she says is hers. Meanwhile, in response to a call from Sarah Stefanidis, who’s noticed a telltale drip from her ceiling, DS Joanna Harper and PC Steve Atkinson break into the silent flat above hers and find her neighbor Gregor Franks in his bathtub, filled with drugs, bleeding from a head wound, and close to death. A series of flashbacks show Ruby’s slow entanglement with Gregor and her baffled encounters with Constance, whom he describes as his housemate and ex-lover and who describes herself as a prisoner who longs to rejoin her people, the mythological selkies. Assigned to investigate the assault on Gregor, Joanna, who’s already demonstrated her cavalier attitude toward the rules, finds herself irresistibly drawn into an unauthorized search for Leonie and Ruby—and willing to tell just as many lies as Ruby about what she’s up to and why. Long before the end, readers will be questioning all their assumptions about who are the victims, who are the criminals, and exactly which facts really are the facts.

As dexterously shape-shifting as the legends it draws from.