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HOW I BECAME A PIRATE

A lively alternative to the 2003 print version, with judicious audio and interactive tweaks but blessedly free of games and...

Pans, zooms, gruff vocals and piratical sound effects add even more swash to the buckles of young Jeremy’s first encounter with Braid Beard and his disreputable crew.

A trip to the beach takes a turn for the exciting when Jeremy joins the errant pirates—“Shiver me timbers! We must have taken a wrong turn at Bora Bora.” He soon discovers, however, that as much as pirates delight in dispensing with table manners and tooth brushing, they also scorn bedtime tucking and storybooks. Artful panning or zeroing in on details nicely shows off Shannon’s lovingly detailed images of scurvy knaves in full pirate gear (some small animations have been added), as well as allowing the original narrative to be broken into more digestible passages. Along with options for an animated, multivoiced audio track or silent reading, there is a self-record feature. Readers can tap any word to hear it pronounced again; likewise, touching most figures or details in the pictures activates both vocal and visual labels.

A lively alternative to the 2003 print version, with judicious audio and interactive tweaks but blessedly free of games and like silly distractions. (iPad storybook app. 6-8)

Pub Date: July 17, 2014

ISBN: N/A

Page Count: -

Publisher: Oceanhouse Media

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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TINY LITTLE ROCKET

A fair choice, but it may need some support to really blast off.

This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.

Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.

A fair choice, but it may need some support to really blast off. (Picture book. 6-8)

Pub Date: July 31, 2018

ISBN: 978-1-338-18949-0

Page Count: 32

Publisher: David Fickling/Phoenix/Scholastic

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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